Donkey Boy (USA) performing live for Sock Monkey Sound.

Donkey Boy (USA) performing live in studio for Sock Monkey Sound

Shameless self promotion with a twist as Joie de Vivre joins us in studio for some talk about their new release The North End. Steve, Chris, Pat, and Brandon give you the uncensored and unedited truth of the band. Disc Golf, texts from ex-girlfriends, and Get Positive are all covered in this episode. Stick around at the end for Danger’s voice mails.

Featured Artists:
Broken Social Scene
500 Miles to Memphis
Matt Ulery’s Loom
Donkey Boy (USA)
Joie de Vivre

Also check out:
Count Your Lucky Stars
Andy Whorehall
Green Light Nights Tickets
Kickstand Productions
Guzzardo’s Performance Music
Kryptonite Bar

Ghosts - Donkey Boy U.S.A

With the new Donkey Boy (USA) EP, “A Song for ‘Last Rights,” Dave Decastris delivers a rumination on his favorite theme. The pain and degradation of low class Rockfordians. Those people whose hopes have long since died and for whom pleasure can only be found in the further destruction of their fragile ability to love.

Are you sure?

Yeah, mostly.

“There are ghosts everywhere that I go in this town. There are ghosts everywhere I lay my head down. You could be my only friend. Take my hand, take my hand, take my hand.”

It’s the long story of still born dreams and the ways in which we desperately cling to each other in a desperate attempt to hide the sound of every creeping death. Or something like that.

With the help of a few Anthony Graigs, DBUSA offers us three versions of the song Ghosts. On a sheer economics level, it’s a great deal. For the price of one song (free) we get the final product, the demo, and the bangin club remix (look for that one on the Edmundo Graig 7”). It’s like the Stimulate This tour where all of those Republican bands played for really cheap to stick it to Obama, or something. Like that, but awesome.

The final version of Ghosts came out jagged and haunting with a surprisingly sexy blues undercurrent. It reminds one of the darker side of Gnarls Barkley, or the Black Keys album that Dangermouse produced (which is really redundant, if you think about it) and also very much of Beck; especially some of the more mechanical songs on Charlotte Gainsbourg’s IRM. I’m not positive, but the Ghosts demo might be my favorite mix of the song. Where the single version is sprawling, the demo holds itself close to your ear, feeling intimate and all the more damaged. Like the laptop ruminations of a man on his last legs. A man who has long since run out of friends who don’t come with screw tops. The Emundo Graig remix is pure sugar. A straight up flash of New Order, cocaine, and hair gel. It’s perfect for a quick desk chair salsa.

So I guess the question is: How do you feel? Sexy? Depressed and alone? Piquant? The “A Song for Last Rights” EP has a flavor for each.

Download the EP for free at http://www.donkeyboyusa.com/

Donkey Boy has submitted Ghosts for the soundtrack of a film. Go vote for it here http://www.lastritesfilm.com/friends.html

We welcome Dave DeCastris and Zach Staas to Sock Monkey Sound. We talk about Daves music as Donkey Boy USA, his work as a designer and artist, John Madden, aging gracefully, Nirvana, and The Replacements. We end on a very compelling conversation with Dave about his view on our fine city. Donkey Boy USA performs live in studio featuring Dave, Zach, Mark Muraski, and Dan McMahon.

Featured music by

The Pixies
Backyard Tire Fire
The Dear Hunter
Brendan Benson
Julian Plenti
Donkey Boy USA

Intro by Pavement

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