I don't like Nirvana

“Generational Gap in Music…I don’t buy it” | by Patrick Delehanty

I have an opinion on everything. As anyone who has ever held a conversation with me longer than 5 minutes, or listened to this podcast, knows; I have an opinion. I don’t like to hold back and I think it sometimes gets misconstrued as my ill faded attempt to sound intelligent. Whether I do sound that way or not, that way being “intelligent”, I’ll never know; you hear yourself different than the audience because you know what you’re getting at and you know what you know. Miswording things can make a world of difference. I’m sure I’ve embarrassed myself more than enough on this show and I probably will more, life goes on.

Now, I have an opinion that I never really had a chance to defend on the show, or really ever, so I figured I’d make my first article based on this. There have been multiple times in conversation I have said the words that sometimes gets a head scratch or an odd “huh?” look, and those words are simply “I don’t like Nirvana”. There’s a taboo with that statement, it’s almost like you took a piss on the entire spectrum of music in one simple statement for some people. Am I completely alone in this statement? Absolutely not, and I feel that there are just as many people out there that love Nirvana that don’t enjoy it.
On the episode we did with Donkey Boy (which was a great episode, if you haven’t heard it, it’s in Season 1- Dave just has amazing things to say and is always entertaining, I suggest you read his articles too) Chip said “This guy (being me, Patrick) doesn’t get it, it’s a generational thing” when Nirvana was brought up. I would agree that it is a generational thing to the extent a.) I wasn’t old enough to listen to Nirvana, I was 7 when Cobain died, b.) I would have had no way to see Nirvana, like Chip, and c.) their music wasn’t accessible to me. Coming from that statement Chip made, I don’t believe that should be viewed as the basis of my reason for not liking Nirvana- in fact, I find it very disheartening to be painted with that brush.

Nirvana

Two and a Half Men

Do I respect Kurt Cobain, Dave Grohl, Krist Novoselic (whom I have met a couple times), and also to an extent Pat Smear, for what they did and how they did, in Chip’s words, “open the floodgates” for other bands? Yes I do. And even beyond that, Jack Endino, Butch Vig and Steve Albini for their direction in producing? Totally do. I do agree with DeCastris more though that Sub Pop took a chance on this band and they really opened up the road for Nirvana to do what they do, but Nirvana definitely blew people away with what they did, as they should have. Here is what I am getting at in my defense, I don’t like Nirvana on the basis that their music doesn’t appeal to me, I simply do not find myself ever saying “I want to listen to Nirvana”. Same with Barbara Streisand, Celine Dion, Depeche Mode, Led Zeppelin, The Rolling Stones, and T-Pain; there is music I will absolutely love even with impact on a grand scale, and music I won’t give a second head turn to under the same circumstances.

If the case is made that not liking a band is simply a generational thing and that one doesn’t like a band because “they don’t get it”, then we would really have no right to like bands that we weren’t alive to witness, because we don’t understand their impact in comparison with the person who was there and loves the band. This is pretty much saying “Your taste doesn’t matter because you weren’t there” either way you look at it. If I were to enjoy Nirvana today, would I suddenly get the impact they had like Chip does who was there to witness it at the time? No, of course not, it doesn’t change the fact that “I wasn’t there”. Case in point- I’m not a Pink Floyd fan, but I love bands they inspired, same with Nirvana. I understand they changed things, but I don’t care for their music.

I absolutely love Motown and I enjoy the blues movement, but I’ll never know what it was like to see black artists for the first time on stage being “socially acceptable” to a white audience- which was an amazing feat for the times. I understand the impact of what happened and I love those bands. I understand Nirvana’s impact, I just don’t like Nirvana. But to play devil’s advocate with Chip’s reasoning, if you have the same rules for people who don’t like it, you have to have the same rules for enjoying it, which completely defeats the purpose of personal taste.

In the same vein of Nirvana’s impact as far as not enjoying the source but what came from it, hip hop is one of the most amazing things I have ever encountered; I love the intelligence behind artists like A Tribe Called Quest, De La Soul, Black Star, Mos Def, Talib Kweli, and bands like The Roots, just to name a short few. And I even love the extent of artists that take the amazing art of something that has been created and making it into a fresh, tasteful use of sample. However, I don’t like Sugarhill Gang (who however used a sample which I did enjoy in “Rapper’s Delight”) and later N.W.A- I just don’t care for their music. Same with Tupac and same with D.O.C. N.W.A changed music, they really did, but in this case I just appreciate something that came from it and not the source itself- those bands are breathing their influence, I just may prefer someones take on previous works.

Nirvana Thriller

Nirvana and Thriller have a baby.

I love “Off The Wall” and “Thriller” by Michael Jackson, but post 1990 I could careless for Michael’s music. I wasn’t alive for when “Thriller” changed everything for R&B and pop music, but I consider that album to be a phenomenal and groundbreaking record. Now, since I don’t like Michael Jackson post 1990 I must not understand his impact on music post “Bad”? No, that’s not true, you see it everywhere, but I will never understand what it meant when “Thriller” came out at that moment- “Black or White”, “Remember the Time”, “Scream” and “Heal the World” are influential songs he made in the 90′s that people really love, I just don’t. This is a case of loving the source (Michael’s first couple solo records) but not really enjoying what came after it (1990 on and a lot of artist’s that took his cue). Flip side being, I do see and understand Nirvana’s influence everywhere and everyday (what came after them); but again, I just don’t like the source (Nirvana).

Here’s what I am getting at, trends and influence happen every day, and who know how they will impact us tomorrow. Some are revolutionary like when Robert Johnson recorded his songs and when Cobain wrote “Smells Like Teen Spirit”, and some are a blip in history like when Kanye wore shutter shades and McCartney and Stevie sang “Ebony and Ivory”. Right now, the Dirty Projectors are considered a “groundbreaking” band that are changing music in some respects. I don’t enjoy them even though I am witnessing their trend, but I suppose it’s not as grand of scale, we won’t know until tomorrow how many people will remember or not remember them. However, I love their sources like Talking Heads and Bjork to name a couple. I just found it to be a completely unfair assessment of someone’s personal taste to say “you weren’t around, so your reason for not liking it is totally unfounded”. I understand social impact, I understand trends, I like what I like, I like what I don’t like, I wouldn’t expect any less of someone reading this article. Either way, hope you’ve enjoyed reading and listening- happy trails.

About author
Co-host of the Sock Monkey Sound podcast and contributor to the website. Man of Mystery.
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27 total comments on this postSubmit yours
  1. Good stuff, p.D.

    For me it's always about what could have been with Cobain's writing and pop sensibilities. He seemed to have a loose grasp, understanding on everything that makes a great songwriter able to adapt with some musical aging; hints of punk-rock-blues-folk-noise-pop and raw, childlike energy making for brutally, honest performances. In a short amount of time, he ripped off everyone immediately before him in an almost, too perfect, commercial way. The fact he killed himself, not realizing yet how lucky a life he had to do what most kids dream of, is the disgust I have towards 'Nirvana' now.

    I will say, "In Utero" is a monster of a record… almost unlistenable if you're in too good a mood.

    Back to your point, you shouldn't like Nirvana, and you should write more about the things you do & do not like, a great read!

    aW

    • He probably would have made 2 great solo albums and then started playing the superbowl had he lived.

  2. I agree with Dave here. It's okay to not like it… I find listening to Radiohead akin to a trip to the dentist . People act like I must be insane when I say this. I like twice baked potatoes and hate baked potatoes.. whatever. I for one was shaken to my core the first time I smoked pot and listened to Nevermind… and In Utero.. my god… I knew what the previous generation must have felt when they heard the MC5. The music is incredible to me… perfect songwriting played through perfect distortion. The Nirvana Unplugged was a life changing moment for me as a musician, something about the way Dave Grohl approached those songs changed the way I approached my instrument. He, in that one event made me realize that being a great player was just as important as being an emotional player, and in fact allows you to be an emotional player. As far as MJ goes.. I walked right past that record and bought Shout at the Devil…

    viva la Delehante'

  3. Kevin- I can see your point fully, and I respect that you understand where I'm coming from. I know that Nirvana was, literally, the last big bang of music that changed everything. I was just saying that taste wise, it's not for me; I respect the hell out of Nirvana, I really do, and I think anyone who says "I loathe that band and don't respect them", is entirely stupid and should have their head examined. Anyone who is a fan of music (ANYONE) should be able to look at Nirvana and appreciate that honest and that angst that they brought forward.

    Same with the Beatles, I know a lot of people that don't like them (which blows my mind but that's another story), and don't see why they are a huge deal. I can see why Nirvana made an impact and why they are revolutionary. I can hear it in their music and I can see it in their presence. In a corny and cheesy statement on my behalf, Nirvana gave a generation a voice and hope. But I just feel that respect and personal taste are two different realms. I respect Nirvana because they defined a sound and generation that still lives on today- whether that be the physical or the cultural, but my personal taste is that Nirvana isn't for me. I'm not knocking anyone for liking Nirvana, I think that would be very illogical and in very bad taste. I was just off put by the comment that I "didn't get" Nirvana and what they meant for music.

    Danger- I understand what you mean, I wanted to bring up the 80's production/boy bands but didn't cause then I'd be saying how Nirvana's production was way more honest and blah blah blah, and I'd lose the article really quick and I'd be defending Nirvana instead of stating my case. Haha, I loved the "because he had bad taste", I knew I'd probably rub you the wrong way with this one haha.

    I'm glad you guys enjoyed the article though whether you agreed or not- thanks!!!

  4. I mean "I'm glad you understand where I'm coming from" haha, the way I wrote that sounded pretentious!

    • Culturaly I think you can compare the Beatles and Nirvana, but musically? Eh… the only way I think it relates for me is that both of those bands did change my perception of music. I don't get why people don't like the Beatles either.

      I had a friend that didn't like the Beatles until one time we were listening to Sgt. Pepper while on the pot. Halfway through the record he turned to me and siad, "Duede, I totally get why they're good now." If that's what it took that's fine. He started eating that sh*t for breakast.

      I think I was more surprised my your addmission that you didn't like Nirvan due to the fact that they enabled so many of the bands and artists that you like to break through to a wider audience or inspire other great bands.

      Then again, it amazes me that you love Usher.:D

  5. I agree with Danger's production comments. I find it way easier to listen to In Utero, Bleach, and Nirvana b-sides than Nevermind. While I think the songs on Nevermind are great, the production has definitely aged poorly. Which brings up the interesting fact that shitty production often ages more gracefully than expensive production. I listen to Slanted and Enchanted, No Pocky for Kitty, and Sebadoh III way more than I listen to my favorite major label albums from that era.

    • Haha Kevin- I read this and I thought one of the bands were just "Kitty"…I got nervous, then I reread, I need to slow down haha

    • Jeff Tweedy actually said some interesting things about production qualities during the press tour for Sky Blue Sky. His point basically amounted to the idea that (for most rock instruments) recording technology basically hit its peak in the early 70s. I do have to agree with that. For punk influenced music, one will often get the best sounds using valves and tape. The reason that expensive production tends to age much more poorly is because expensive production is always done with trending equiptment and techniques. Trends (by nature) do not age well.

      There's a further point to be made about cheap production having a higher likelihood of the artist recording songs because they have to (ie they'd go fucking mad if they didn't) vs expensive production being a case of the artist doing something because they can. I'm not really going to get into that because it's more about value judgements.

    • I wish they would release a quality version of Albini's In Utero. I'm sure they will eventually so they can milk the Nirvana cow some more a few years from now.

      • From what I know, the only real differences are on Heart Shaped Box and All Apologies. All of the really RAWK OUT songs on the album are the Albini mixes. Scott Lit did a mix of Pennyroyal Tea as well but it didn't see light until the Greatest Hits album (aka the one everyone bought so they could have a high quality copy of You Know You're Right).

  6. Dave, I'm right with you on the topic of potential albums. All sources seemed to indicate that the next batch of Kurt Cobain songs were going to be dark, haunting, and acoustic. I wish someone very talented–and possibly psychic–would sit around and think really hard about what those songs might have been like and write. Thinking about that album makes me ill in the best way. Plus, his project with Michael Stipe was just about to happen.

    • I could have gone without a Stipe/Cobain colaboration. That was during the time when REM started to eat poop and crap more poop onto tape, IMO.

      • Maybe we need to hash this REM thing out some day, Chip. Don't get me wrong, the first 4 REM albums are some of my favorite music ever–I think we are in agreement about that. But REM did some amazing stuff in the '90s too. Sure, Out of Time and Monster were spotty, but I like Automatic for the People every bit as much as Murmur, and for completely different reasons. Also, I am still discovering things I love about New Adventures in Hi-Fi, and even Up. Should we have a Chip-sits-down-and-listens-to…gasp…post-Document-REM-songs intervention?

  7. I couldn't have said it better myself Kevin. Drain You is my favorite off that album. too bad no one ever got to hear the Stop Motion Call rendition.

  8. This could have been an article itself.

    • Yeah, I thought that once I finished and realized it was like 800 words.

  9. All,

    This is the most interesting string of comments made in awhile. I'd like to commend Danger on pointing out a very true fact. Born during the later part of '73 and "Don't Tell a Soul" is my favorite record by The Replacements, nice generational observation.- and one of my favorite records of all time as well. One song in particular from that record, "Achin to Be," opened up musical doors to other songwriters, genres. The record as a whole, sits next to "Hysteria" by Def Leppard (my generation's Queen) as two of the finest records to emerge from the late 80s. The former a fine proclamation of growth and maturity by a young punk songwriter, Westerberg, starting to accept major label & commercial defeat.

    It's also is a record that many Replacement fans– barely a year to 2 older than I–loathe. I love it as each passing year occurs. Many times I've had to overlook the awful production of that record. It's bad on the ears if you didn't grow up in it; overworked and glossy. Not even the remastered version helps it. However, for me, at that age, that time in the 80s; it's a landmark of a record that left a lasting mark on mine and many's musical tastes the way I think "Nevermind" did for those a touch younger.
    I'll defend "Hysteria" as well some day, not here, not now. Kudos, Danger, you hit that on the button.

    Cobain and the superbowl, man, Chip, that's funny. 
A student looked at me wondering why I'm laughing. I'm at work, faking it.
The things I overhear here from students and state employees would be a great record to record secretly and then to review.

    I am surrounded by complacent dreams 20 hours a week.

    Mark, I agree with Radiohead too. Many moments are spent wondering how it is people worship their music. Then there are dark, cold, midwestern nights during the months of Dec-March where they make sense. However, it's only then, in dark hours I can tolerate Yorke's whining along with the intentional, arranged, musical wanderings. It seems as if they dare to be different rather than just being different naturally.

    I have more to say, my heavy footed, lazy, supervisor is circling me like a hawk.
    Thank you, Pat, for the dBUSA shout out. 
Agreed, fun time. All of you are hittin it on the button here and what's even more amazing is that these 2 words, "pearl" and "jam," have not made an appearance. "No Code" is a 1990s gem. The Morrison via Who wannabe buffoons have never made anything like it since- or before.

    dBUSA

  10. I don't think that it's fair to say that Everybody Hurts is melodramatic. Michael Stipe was always known for cryptic, vague, and sometimes undecipherable lyrics. Everybody Hurts was him trying to go out on a limb and write something simple and universal. He was completely aware of how overt and unguarded that song might seem. Do you condemn the Beatles for All You Need is Love? I, for one, think that writing a song like Everybody Hurts was a brave thing to do for someone in his position. I can imagine that many people who have no idea who REM are have heard that song on the radio and been touched by it. Plus, there are plenty of thought-provoking ideas on that album. Try Not to Breathe, for example, was written from the perspective of an elderly person who has decided to end his life–not exactly your typical material for hit albums these days.

  11. Chip's too old to properly appreciate Automatic for the People and NAiHF.

  12. I'm not too old for Automatic for the People. Everybody hurts is a piece of overwought, melodramatic bullshit. I can listen to Camera off Reckoning and get the same depressed feeling but feel good about it.

  13. Hopefully I'm not too late to the party here. Of course it's perfectly valid for anyone to like/dislike anything they choose for whatever reasons they choose, that's a given. For me, I can enjoy listening to Sade as much as I can enjoy listening to The Jesus Lizard at this point in my life, because I don't "need" music in the same ways I did when I was in my teens. I think that everyone is correct here in their own way. For Pat to dislike Nirvana, for no other reason than he does, makes sense. On the other hand, there is something to the fact that a timing/generational thing comes into play here as well. I don't understand why masses of younger people enjoy overwrought modern emo/metal, but it doesn't really exist for me to understand. It exists for those kids the same way Nevermind did for me, and I can only hope they'll be able to hear that music with more perspective and better ears as they get older. To sum up, Nirvana is ok, I love In Utero, don't care for Nevermind, and they were basically a gateway to much better music for my midwestern ears. Which I guess is only half true, because I'd been listening to Bad Brains and The Dead Milkmen years earlier. Shrug.

  14. What's up with my novel disappearing? Not cool, internets!

  15. Nirvana were great for their time, and In Utero and the oft-forgotten Bleach (and, well, even Nevermind, if it didn't have such sugary production) are essential listening, it's time to let that dog lie. I take out Bleach and In Utero about 3 times a year each and I enjoy them. Also, the recent Live at Reading DVD almost brought a tear to my eye. But, there is so much great music to be nostalgic about that is overlooked because of the mining (exploitation) of the Nirvana legend. These recent R.E.M. reissues should be getting more attention. They have aged as well or better than anything from that era. The Murmur live show is jaw-dropping. Since I'm off point now I'll add that what I really want is a full-on reissue explosion of The Smiths catalog!

  16. @Danger-
    wondered the same thing… it had amazing points in it regarding generational listens.
    @JoJo-
    This past winter, late, I put on a new copy of Live @ Reading DVD– it scared my dog, I agree, I had to press pause 15 minutes or so in so she could stop shaking. It was brutal to watch and listen to, not in a bad way, full of emotion. No joke. I chose to calm the dog rather than continue watching their Reading performance.
    dBUSA

  17. db-

    I feel the same way when I watch I Am Trying To Break Your Heart. I start shaking from the drama and then I start getting sick when I realize that maybe Jeff Tweedy is part of the reason that Jay Bennett is dead. Then, I get out of my chair and go outside and throw rocks at squirrels and pigeons that think they will one day rule my neighborhood. They don't know that I already don't rule it. Squirrels are their own thing, but pigeons are devil birds that spew and carry their disease out from their slick, oily, plague-ridden feathers. When I think of these birds bile begins to rise up from my stomach, but by the time it reaches my throat I realize that the whole time I've actually been inside and that Jeff Tweedy has just thrown up in the Loft bathroom and is mad at Jay again.

    -jojo

  18. U really never want to listen to the Rolling Stones?

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